Reviewer:Maria S. Rice. Preludes 1 to 6 are examples of FeBland's light classical or educational style, aimed to be playable by intermediate to advanced level students, as well as being entertaining for both performers and audiences alike. The Preludes were written in two groups of three, and each draws inspiration from diverse influences in Western music. The first movement in this delightful set of pastiches may be considered Debussian, owing to its expressive cascades of harmony. The second, elegant yet austere, recalls the exquisitely sculpted piano melodies of Shostakovich, while the third contains elements of Stravinsky (perhaps of the Symphony of Psalms). Prelude 4 showcases the dance-like rhythms of traditional Scottish folk music with camponological overtones in contrast to the measured pace of the following movement's serene Bach-like variations. Prelude 6 concludes the group with flourishes of joy, mystery, and triumph influenced mainly by music of FeBland's native England , although not without some French tinges; perhaps a homage to Messiaen. Preludes 1-3 and 4-6 were premiered in London at the Queen Elizabeth Hall and St. John's , Smith Square , respectively. The first set of three are also published by Bardic Edition, UK .

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